本书以汉魏两晋南北朝佛教及其美学思想因素为研究对象，以佛教中国化、本土化及其审美与文学艺术意识理念的深巨影响为研究重点，凸显了这一历史时期中国佛教美学的民族人文特性和中国化、本土化程度的时代发展轨迹。
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