刘师培是清末民初充满争议的历史人物，其文学思想涉及"藻缋成章"的本质观、"归于雅驯"的语言观、三维一体的功能论和"骈文正宗"的文体论等多个方面，同时他也展示了对多种文学研究方法的理论重视和实践运用。本书在全面梳理刘师培文学思想的基础上，多维探讨促使其文论生成的文化语境，其中既有家学、乡学和传统文论的积淀浸润，也有西学融合、政治环境及现代出版业的时代感染。刘师培的文学思想展示了中国文论转型期的审美追求，对"五四"新文学而言，是潜在的理论铺垫和必要的理性制衡。
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