本辑从主要对明代文学各类典型主题展开论述，可分为"身份认同与诗学观念变迁""古文与八股文文体""文学人物""文献考析""戏曲与词曲"五部分，内容涵盖对诗、文、曲、词、小说体裁以及文本、文献等研究。既论及宋元明时期的"诗儒分合"观念，又关注明清时期江南文人的身份认同；既呈现弘治中后期长安文会的唱和情况，又阐释古文与八股文的文体互渗；既考辨弘治己未科场案真相、王世贞与吴中文坛之离合，又观照锺惺诗的标新与禅宗机锋。各篇论文主旨明确，结构合理，行文流畅，代表明代文学研究的最新动向，颇具参考价值。
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